Black Man Crying See You Again Audio
Album covers from Amazon Music
Nosotros all savor a celebratory and, dare we say it, slightly sappy love vocal that revels in the beauty of human connexion. But sometimes the rail that really hits home is more than somber.
Some of the distressing honey songs in this collection have the capacity to brand you cry, and may even help you lot mend a broken heart after a breakdown. A handful of '90s classics (Whitney Houston's "I Will Always Beloved Y'all," Toni Braxton'due south "Un-Suspension My Centre") and R&B; hits are on the list, as are sweeter numbers that would be at dwelling house on a Valentine'southward Day playlist if you're spending the holiday solo. Many sift through the rubble of by relationships (Drake'due south "Marvin's Room," Lauryn Hill's "Ex-Factor"), while others are almost the momentary relief of connection, even if y'all know it'south not with the right person (Sam Smith's "Stay With Me," Bonnie Raitt'southward, "I Can't Make You Love Me"). And emotional classics by Joni Mitchell, Carole King, and Fleetwood Mac prove that while sonic style and songwriting changes over the decades, the raw feeling of heartbreak will always exist relatable.
Y'all may be trying to rekindle a smothered spark, dealing with quarantine-related long distance drama, or struggling with keeping your dating life going this winter. Whatsoever'due south causing you strife, we hope yous'll find catharsis in one of these sad love songs.
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"Someone Like You lot" by Adele
Adele is the patron saint of powerhouse ballads, and "Someone Like Yous" ranks upward in that location with her very all-time. Adele's vox tin soar on top of a 30-piece orchestra, just hither she'southward accompanied by a simple piano part equally she addresses an ex who has moved on and institute new love.
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"Landslide" past Fleetwood Mac
The intra-band romantic drama that fueled Fleetwood Mac'southward celebratedRumorstape is well documented, just even before its 1977 release, they were penning love songs that stuck to your ribs. Ane such track was "Landslide," a gorgeous, lilting showcase for singer Stevie Nicks near how beloved, in all its forms, never stays static.
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"Death past a M Cuts" by Taylor Swift
Taylor Swift has mined the details of her ain romantic life to great success, but onLover's"Death by a Thousand Cuts" she switched her approach, drawing inspiration from the Netflix rom-comSomeone Groovy.
The track itself is vintage Swift. She fills the twinkling Jack Antonoff product with vivid imagery–haunted clubs, boarded up windows, and harsh hungover mornings. "Death by a Thousand Cuts" captures the true aftermath of a breakup, and the way the pain comes in small, unexpected ways, not necessarily all at once.
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"I Will Always Love You" by Whitney Houston
Anytime a song can be distinguished by a unmarried notation, you know that it'south fabricated an impact. Whitney Houston'due south cover of Dolly Parton's "I Will Always Honey Yous," which appeared onThe Bodyguardsoundtrack, is ane of the 20th century's defining ballads. Houston kept the methodical pacing of Parton's original, only turned it into a simmering slow jam that fit perfectly into the '90s tendency of moody, glacial radio hits.
Even when you lot know exactly what the song is edifice up to, the moment where Houston hits that sky-scraping note on the final hook, always feels stirring.
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"I Tin can't Make You Love Me" by Bonnie Raitt
Bonnie Raitt's 1991 heartbreaker "I Can't Make Y'all Love Me" is considered to be among the best songs ever written. Raitt makes the lyrics, written by Mike Reid and Allen Shamblin, absolutely jump off the page, turning the vocal into a tearjerker most accepting that you can't change the way another person feels inside.
"'Crusade I tin can't brand you love me if yous don't / You can't brand your heart feel something it won't," she sings.
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"It's Too Tardily" past Carole King
Carole King'south landmark 1971 albumTapestryis filled with gorgeous, poignant songs about heartbreak brought to life through King'south vivid lyricism. "Information technology's As well Late" was one of the anthology'south almost popular tracks. It captures the point at the end of a relationship where in that location simply isn't much left to say. Both people have tried their all-time, merely it's merely non meant to exist.
"At that place'll be skillful times again for me and you lot / But we merely tin can't stay together, don't you experience it, too," she sings.
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"Cuz I Love You" by Lizzo
The title track of Lizzo'south breakout album sees the multitalented musician indulging her inner diva. From the opening line, she's belting every bit powerfully as she always has, channeling the spirit of Aretha and Whitney. Much of Lizzo's music explores her own sense of self-worth and independence, but on "Cuz I Love You" she opens up about what she'll do for love.
"Got me standing in the rain / Gotta get my hair pressed once again / I would do it for you all, my friend," she promises.
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"Shut to You" past Rihanna
Rihanna's 2016 opusANTIsmartly stripped abroad much of the gloss and glitz of pop superstardom, giving her more room to emote equally a vocalizer. That produced several powerful tracks ("Higher," "Dearest on the Brain," "Needed Me"), as well as "Shut to You," a moving pianoforte vocal almost a human relationship crumbling in tiresome motion that plays like a sequel to 2012's "Stay."
"Nothing simply a tear, that's all for breakfast / Watching you pretend you're unaffected," she sings.
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"Both Sides Now" by Joni Mitchell
Inspired by Saul Blare'southHenderson the Rain Rex,Joni Mitchell's "Both Sides Now" is an ode to shifting perspectives and to understanding someone's motivations that were previously alien to you lot. As with Mitchell's best music, information technology's depicted through gorgeous nature imagery–clouds that wait like "ice cream castles," and "angel pilus"–and sung in her delicate, lilting cadence.
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"I Don't Love You lot Anymore" past ANOHNI
From the climate crisis to the casualties of drone strikes in the Eye East, ANOHNI has a gift for using the style and structure of trip the light fantastic music to tell urgent stories. "I Don't Love You Anymore" is relatively straightforward–even its video is simply a half-dozen-minute shot of the singer–simply her vox is and then stunning and wounded that y'all hang on every word.
"You left me in a muzzle / My only defense was rage," she sings, her vox curling into a slight snarl, mimicking the way heartbreak so often hardens into anger.
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"Stay With Me" past Sam Smith
Sam Smith has written enough of songs well-nigh the bluer side of romance, simply their hit single "Stay With Me" goes to a dissimilar identify. The track is somewhere between booze-fueled longing and sober honesty. Smith knows that the connection they share with the song's subject is nothing similar truthful love, simply however a favorable alternative to isolation.
"Deep down I know this never works / But you can lay with me and then it doesn't injure," they plead.
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"Dreaming With a Cleaved Eye" past John Mayer
John Mayer'due south "Dreaming With a Broken Middle" morphs from a delicate piano carol to chugging blues rock jam, showcasing the breadth of Mayer's talent that made him such a star throughout the '00s. His breathy, raspy voice is uniquely suited for songs like this: smoothen and sultry, just emotional on the surface.
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"Tears Dry on Their Ain" by Amy Winehouse
With the help of producer Salaam Remi, Amy Winehouse made "Tears Dry on Their Own," a modernistic spin on the long lineage of Motown's sad love songs. Information technology even flips Marvin Gaye and Tami Terrell's "Ain't No Mountain High Enough."
Winehouse's smoky, velvet-lined jazz gild voice is put to great use here, restrained and conversational on the verses, gradually swelling in book and tone on the hook to match the song's horns.
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"Requite My Dear to Rose" past Johnny Cash
Johnny Greenbacks originally penned "Give My Love to Rose" dorsum in 1957, only information technology proved to exist such a staple of his catalog that he rerecorded information technology multiple times, including for his 2002 recordAmerican IV: The Homo Comes Effectually.
The rails is vintage Cash. It's a masterclass in storytelling, as he stumbles upon a dying man by the railroad tracks who, in his concluding moments, tells Greenbacks to get come across his beloved Rose and their son. He fifty-fifty expresses that he wants his wife to find a new person to dear.
"Tell my Rose to try to find another / 'Crusade it ain't right that she should live lonely," Cash sings.
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"Skinny Love" by Bon Iver
At that place are approximately i 1000000 covers of Bon Iver'due south "Skinny Beloved," but none of them striking your gut quite similar the original (Birdy'southward piano-powered take comes closest). The song, which helped turn Bon Iver into an indie phenomenon, is minimalist in its presentation, but cinematic in emotional scope. Throughout, Vernon'due south voice croaks and breaks, as if he's struggling to become the words out.
"Yous're in a relationship because you lot demand help, but that's not necessarily why youshould be in a relationship. And that'south skinny. It doesn't have weight," Bon Iver'due south Justin Vernon told Pitchfork about the song. "Skinny love doesn't have a chance because it'south not nourished.
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"Irreplaceable" by Beyoncé
Beyoncé set up bated the delicate love songs with "Irreplaceable," a nautical chart-topping ode to knowing your worth and not letting anyone try to lower it. The vocal plays as a prelude to some of her meatier work onBeyoncéandLemonade,and sees her sending an unfaithful former flame out the door expeditiously.
"Rollin' her 'round in the machine that I bought you / Baby, drop them keys / Bustle upward before your taxi leaves," Beyoncé warns.
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"Drew Barrymore" by SZA
On "Drew Barrymore," SZA gets all psyched up to see someone at a party, only to find that they showed up with another girl. The song captures the whiplash of butterflies turning to stone in your stomach, as she sings achingly almost how sometimes romance and disappointment can feel as linked every bit hangovers and alcohol.
"Information technology's hard plenty yous got to treat me like this / Alone enough to let you care for me like this," SZA laments.
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"Fix Y'all" by Coldplay
Written by Chris Martin as a tribute to his then-wife, Gwyneth Paltrow's tardily father, "Fix You" is one of Coldplay's most affecting songs in a discography filled with enough tearjerkers to flood a stadium. Though the song primarily deals with expiry and moving on from that kind of loss, its lyrics are easy to graft onto a romance.
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"When I Was Your Human being" past Bruno Mars
Few A-listers are equally good at lost love ballads as Bruno Mars, who has topped charts and fabricated eyes water with songs like "Talking to the Moon," "It Will Pelting," and "When I Was Your Homo." The latter is perhaps the best of the lot, inspired by '70s piano ballads similar The Commodores' "Still," and featuring 1 of Mars' most searing hooks.
"I should have bought you flowers / And held your hand / Should have gave yous all my hours / When I had the chance," he laments.
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"Play a Pitiful Song" by The Supremes
Back in the early on '60s, Diana Ross and The Supremes' three other core vocalists were simply teenagers, but they could capture the feeling of a lifetime's worth of heartbreak on records similar "Play a Sad Song." Penned by Motown mastermind Drupe Gordy, the track has cinematic horns and strings that serve every bit a fitting backdrop for the intertwined harmonies of these preternaturally gifted young vocalists.
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"Alive With the Glory of Love" past Say Anything
Say Anything'due south "Live With the Glory of Dear" bristles non just with the urgency and agony of immature dearest, just because of its spooky backdrop. The song is nigh the relationship between singer Max Bemis' grandparents, who are Holocaust survivors, and their time hiding from the nazis.
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"Un-Break My Eye" by Toni Braxton
The '90s were the gilded era of slow jam ballads, and only a few songs captured that crying-in-a-rainstorm melodrama equally well as Toni Braxton'due south "Un-Break My Heart."
The song conspicuously resonated with a lot of jilted listeners, as information technology was named one of the 20 biggestHot 100hits of all time in 2018.
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"Your Mitt Holding Mine" by Yellow Days
Yellow Days' George van den Broek was but 17 when he broke through with "Your Paw Holding Mine," but that'south hard to gauge by the audio of his voice. Van den Broek has a commanding baritone, often likened to fellow alt outsider King Krule.
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"Every Rose Has Its Thorn" past Poison
A quintessential '80s power ballad, what Toxicant's "Every Rose Has Its Thorn" lacks in subtlety it more makes up for with heart-on-the-sleeve candor. Long earlier his reality show renaissance, Bret Michaels was giving his all to this raw chart-topper.
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"Wicked Games" by The Weeknd
Long before he was an A-lister big enough to headline the Super Bowl, The Weeknd was a mysterious effigy in the nascent Toronto music scene, writing songs about excess and infidelity that sounded like the aftermath of a postal service-breakdown bender.
His first major striking was "Wicked Games," a fiery runway almost wounded people finding solace in each other and hurting their actual partners in the process. Information technology's a powerful showcase for The Weeknd's crystalline tenor, which seems to float a k anxiety in a higher place the instrumentals dirty guitar and bass.
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"Somebody That I Used To Know" by Gotye ft. Kimbra
About somber honey songs come from a singular perspective:I'yardhurt.Idon't honey you anymore.Idon't want to be alone. What makes Gotye and Kimbra's "Somebody That I Used to Know" so atypical and enduring is that it offers both perspectives on a failed relationship, shifting vantage points in the middle to remind united states of america that even though we may demonize an ex, we're rarely complimentary of blame.
And the vocal conspicuously resonated with fans, becoming i of the most successfulHot 100entries ever, going viii-times platinum in the U.S., and turning the previously unknown Gotye into a star.
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"Giving Up" by Whitney
Sometimes relationships fall apart all at once, but oftentimes they crumble in dull motion. A missed telephone call here, a tardily night out with no caption there. This kind of disintegration is the subject of Whitney's melancholic "Giving Up."
A departure from the sunnier audio of their debut anthology, "Giving Upwardly" still exists in the same country-soul-indie rock universe, with twangy guitars, dusty pianoforte, and singer Julien Ehrlich's signature reedy tenor.
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"EARFQUAKE" by Tyler, the Creator ft. Playboi Carti
In a unlike world, "EARFQUAKE" would have been ane of 2019's inescapable pop smashes. Tyler, the Creator originally wrote it to requite to Justin Bieber, afterward offering information technology to Rihanna, before ultimately claiming it for himself. It's hard to picture the song with anyone else on lead vocals. When he pleads, "Don't leave, information technology'due south my fault," the agony is palpable.
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"when the party'south over" by Billie Eilish
Some sad dearest songs are thou and sweeping, merely Billie Eilish'southward "when the political party'southward over" cuts in the complete other direction. With hundreds of layers of vocal harmonies and Eilish'south trademark hushed tones, the vocal feels like it's being sung into your ear from ii inches away.
In that location's an almost religious quality to the pb melody and how it's accented by the harmonies, making "when the party's over" into a vigil for a relationship stuck in the liminal space between friends and lovers.
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"Ex-Factor" past Lauryn Hill
This song brings u.s. into the push-pull of a dysfunctional relationship, 1 that frequently gets correct upwardly to the breaking point without ever crossing that last threshold.
If "Ex-Factor" sounds eerily familiar to younger listeners, information technology's considering Drake sampled information technology for his huge 2018 hit, "Nice For What."
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Source: https://www.oprahdaily.com/entertainment/g35135240/sad-love-songs/
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